{"id":164,"date":"2021-03-03T15:16:04","date_gmt":"2021-03-03T15:16:04","guid":{"rendered":"http:\/\/dev.mongopoet.com\/?page_id=164"},"modified":"2025-05-06T15:34:20","modified_gmt":"2025-05-06T15:34:20","slug":"poetry","status":"publish","type":"page","link":"https:\/\/wessmongojolley.com\/home\/poetry\/","title":{"rendered":"Poetry"},"content":{"rendered":"\t\t
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Poetry Books by Wess Mongo Jolley<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Sample Poem From “The White Porcelain Well”:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Christopher Street Leather, New York City<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Perhaps it is the bull that gets the last laugh after all.<\/p>

After a life being poked and prodded, after a finale
flayed and filleted, it is his leftover skin that turns us, his
tormentors, into the draft animals.<\/p>

Perhaps it is with both disgust and amusement that
the bull sees the byproducts of his carcass used to
fashion these straps, these harnesses, these whips,
these gags, these paddles.<\/p>

Perhaps his hard death has tempered his memories enough
for him to be amused by the boys with the leather collars
and cock rings, the boys trussed up with familiar shiny gear,
and suspended in their stalls by cowhide and steel.<\/p>

Slaughterhouses and bathhouses are both kept dark
to keep the inmates calm, while they are poked and
prodded, while we enact these, the savage rituals
of our carnal desires.<\/p>

In this crowded sex shop I touch the slings, the straps, the
restraints, all black and accentuated with chrome, and I
feel that hunger for flesh growing more insistent\u2014
forbidden lusts from darkest corners of my desire.<\/p>

I want to be disgusted, and I am.
I want to be appalled, and I am.<\/p>

I want to be better than this and I am.<\/p>

I want to see you suspended before me, chains tinkling,
leather gleaming with spilled lube and semen.<\/p>

I know better than to ask the bull\u2019s forgiveness.<\/p>

(First published in Danse Macabre<\/a>, 2017)<\/em><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sample Poem From “Smolder & Spark”:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Living<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u201cThe front section is the realm of the dead, symbolized by inert materials – polished black granite and concrete. The back section represents the living.\u201d<\/em>
\u2014Parc de l\u2019espoir – AIDS Memorial Park<\/strong>, Montreal.<\/strong><\/p>

I\u2019ve lost those cubes of half remembered dead\u2014
not even half I\u2019ve forgotten them completely<\/p>

In favor of the mullet-headed sandal-toed lover
who picks his teeth in the coffee shop<\/p>

In favor of proud meat market hookups
who won\u2019t bother to feign interest or surprise<\/p>

In favor of coffee so black and strong
old memories are strangled into myth<\/p>

In favor of shared glances gelled Mohawks veined throbbing house
music pounding our spines until our hearts skip a beat in unison<\/p>

In favor of a street filled with desperately handsome men I cannot
see through the haze of a new love\u2019s breath on my eyelids<\/p>

In favor of dying happy because of
last night and last night and last night<\/p>

When spasms of ecstasy ended with
my tears spread across both his calves<\/p>

(First published in the November 3rd Club, 2010)<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Poems Featured in Books and Journals<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\"\"<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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In August of 2024 a selection of my work was translated into Ukranian and showcased on the website Soloneba<\/a>\u00a0(along with artwork by Chris Komater<\/a>). The following poems are featured on the site, in translation:<\/strong><\/p>

For the Seagulls<\/a><\/div>
Koan<\/a><\/div>
Distant Thunder<\/a><\/div>
New York Argues for the Existence of God in Union Square<\/a><\/div>
New York Argues against the Existence of God in Central Park<\/a><\/div>
Emily’s Legacy<\/a><\/div>
Christopher Street Leather, New York City<\/a><\/div>
Incarnation<\/a><\/div>
Excavation<\/a><\/div>
One Inappropriate Analogy Haiku<\/a><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\"\"As Featured in The Malahat Review<\/a><\/strong><\/p>

After “The War”<\/a>
No Answer<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"<\/strong><\/p>

As Featured in Plenitude Magazine<\/a><\/strong><\/p>

The Turtle and Me<\/a><\/p>

\u00a0<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"\"As Featured in Unlikely Stories Mark V<\/a><\/strong><\/p>

The Revolution We Never Wanted<\/a>
Body Fluid Cleanup Kit<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"As Featured in Dreamers Magazine<\/a><\/strong><\/p>

For the Seagulls<\/a>
Asymptote<\/a>
Koan<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"\"As Featured in Gyroscope Review<\/a><\/strong><\/p>

Warm Ember<\/a>
Gen Z<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"As Featured in Queer Toronto Literary Magazine<\/a><\/strong><\/p>

Triad<\/a>
Let Me Explain…<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"\"As Featured in Bare Back Magazine<\/a><\/strong><\/p>

George<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"As Featured in Muleskinner Journal<\/a><\/strong><\/p>

Manhattan’s Arms (in three parts)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"\"As Featured in Throats to the Sky<\/a><\/strong><\/p>

Patrimony<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"As Featured in Pinhole Poetry<\/a><\/strong><\/p>

Lost Love<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"\"As Featured in Evening Street Review<\/a><\/strong><\/p>

Taste of Spring in an Early Winter Chill<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"As Featured in Mobius: The Journal of Social Change<\/a><\/strong><\/p>

Gen Z<\/a> *
My last night in America I dreamed I was lost<\/a><\/p>

* Nominated for the Pushcart Prize, 2023<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"\"As Featured in Angel Rust<\/a><\/strong><\/p>

C\/U\/B<\/a>
Little Wire (or The Downside of the Internet)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"As Featured in Pink Disco<\/a><\/strong><\/p>

Sweet Physician<\/a>
Smolder & Spark<\/a>
Communion<\/a>
Lester<\/a>
Invocation<\/a>
The Weight<\/a>
Mark (Winter, 1978)<\/a>
The Taste of the Living Ocean<\/a>
Black Granite<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"\"As Featured in Danse Macabre<\/a><\/strong><\/p>

New York Argues for the Existence of God in Central Park<\/a> \/ New York Argues Against the Existence of God in Union Square<\/a>
So Little Light Finds Its Way Into Our Alley<\/a>
The Reconciliation<\/a>
Christopher Street Leather, NYC<\/a>
That Meter of Air<\/a> (Frontispiece to Issue 109)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"As Featured in The November 3rd Club (no longer publishing)<\/strong><\/p>

*<\/span>The Living<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"\"As Featured in the Write Bloody Press<\/a> book \u201cThe Good Things About America,\u201d edited by Derrick Brown and Kevin Staniec<\/strong><\/p>

*<\/span>Emily\u2019s Legacy<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"As Featured in the book \u201cWarrior Poets<\/a>,\u201d edited by Ko Shin Bob Hanson<\/strong><\/p>

Distant Thunder<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"\"As Featured in Dressing Room Poetry Journal<\/a><\/strong><\/p>

*<\/span>Altar<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"As Featured in decomP<\/a><\/strong><\/p>

Nugget<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"\"As Featured in Tree House Arts<\/strong><\/p>

*<\/span>Incarnation<\/a>
*<\/span>Mountain Meadows<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"As Featured in the book \u201cI’ll Be You When You Get There<\/a>,\u201d edited by Scott Woods<\/strong><\/p>

20 Pieces of Advice, Sent to my Young Self, to be Opened June 15, 1978<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"\"As Featured in Pank<\/a><\/strong><\/p>

Ten Inappropriate Dopplegangbanger Haikus<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"As Featured in The New Verse News<\/a><\/strong><\/p>

Dear David Plouffe…<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"\"As Featured in Off the Coast<\/a><\/strong><\/p>

*<\/span>Rosemary for Remembrance<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"As Featured in The Legendary<\/a><\/strong><\/p>

*<\/span>Agent Rex<\/a>
*<\/span>Washington Square Park<\/a>
*<\/span>Ben<\/a>
*<\/span>Love Similes<\/a>
*<\/span>Letting Go<\/a>
*<\/span>Excavation<\/a>
*<\/span>Tinder<\/a>
*<\/span>Business Expenditures<\/a>
*<\/span>Something to Remember You By<\/a>
<\/span>*<\/span><\/span>One Inappropriate Analogy Haiku<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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* No longer available in the digital journal where originally published. Links take you to an internal blog post with the poem text.<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Audio and Video<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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“Manhattan’s Arms” performed live at the Bowery Poetry Club, as part of the IndieFeed Performance Poetry Podcast Showcase and Party, October 9, 2009.  Introduced by Cristin O’Keefe Aptowicz.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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“Emily’s Legacy,” As heard on the IndieFeed Performance Poetry Channel. Hosted by Cristin O’Keefe Aptowicz. February 2, 2009.\u00a0 Music by Ivan Chew.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\tJOIN OR FOLLOW ME ON PATREON!\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\tRead or listen to The Last Handful of Clover.
New poems, stories, and other content released weekly!\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\tCLICK HERE TO LEARN MORE!\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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Interviews and Misc.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The Maniacal Geek
<\/b>“Eight Questions with Wess Mongo Jolley”<\/a>
October 15, 2015.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Pinhole Poetry
<\/b>“An Interview with Wess Mongo Jolley”<\/a>
July 21, 2023.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Poetry Books by Wess Mongo Jolley Sample Poem From “The White Porcelain Well”: Christopher Street Leather, New York City Perhaps it is the bull that gets the last laugh after all. After a life being poked and prodded, after a finaleflayed and filleted, it is his leftover skin that turns us, histormentors, into the draft … <\/p>\n

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